出刊年月/Date of Publishing

1989.03

所屬卷期/Vol. & No.   第19卷第1期 Vol. 19, No. 1

類型/Type                 研究論文 Research Article

篇名/Title
Ideological Encounters: A Re-reading of Norman Mailer’s Work of the Fifties
意識形態的對峙：重讀梅勒五○年代之主要作品

作者/Author
田維新 Morris Wei-hsin Tien

頁碼/Pagination
pp. 1-51

摘要
本論文試從意識形態的角度分析梅勒於五○年代所出版的主要作品，例如：《巴巴雷海岸》(1951)，《鹿園》(1955)，《自我宣揚》(1959) 等。作者認為梅勒在這些作品裡所欲表逹的意識形態，正好和五○年代，美國當時的社會意識形態是相互對峙，水火不相容的。梅勒的策略，似乎要以他在這些作品裡所表達的那種極端的，具有叛逆性的意識形態來破除或改變當時美國社會的各類保守主義。

本論文對意識形態一詞的詮譯，是採純描述中性意義的解釋。是指美國一般人士在五○年代所持有的價值觀念和信仰系統。以此做爲他們思考的準則和實踐行動的綱領。所以對於意識形態的應用，既不採馬克斯在《德意志意識形態》一書中所用的，具有眨抑的「假意識」的意識形態，也不採列寧所要建立的「工人階級的正確世界觀」那類共產革命性的意識形態。

Abstract
This paper attempts to analyze Norman Mailer’s major works of the 1950s, including Barbary Shore (1951), Deer Park (1955) and Advertisements for Myself (1959) from an ideological point of view. The author believes that in these works, the encounter between Mailer’s ideology and the prominent ideologies of 1950s America were completely irreconcilable. Mailer’s strategy in these novels seems to be the expression of extremism and rebellious ideology in order to subvert the conservatism of 1950s American society. This paper has adopted a purely neutral interpretation of the term “ideology,” which refers to the belief systems and values of ordinary Americans in the 1950s, and became the foundation of their thought patterns and actions. Therefore, when applying ideology, the author neither selects the ideology of “false consciousness” in Marx’s “German ideology,” which is disparaging in tone, nor Lenin’s communist revolutionary ideology of establishing the “correct world concept of the working class.”

關鍵字/Key Word
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DOI
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學門分類/Subject
文學 Literature