出刊年月/Date of Publishing

2006.03

所屬卷期/Vol. & No.   第36卷第1期 Vol. 36, No. 1

類型/Type                 研究論文 Research Article

篇名/Title
Merleau-Ponty’s Embodied Semantics—From Immanent Meaning, to Gesture, to Language
梅洛龐蒂以身體和情境感為基石的語意學——內含的意義、表意動作和語言

作者/Author
姜申 Mark Johnson

頁碼/Pagination
pp. 1-27

摘要
在心靈與語言哲學的領域裡，梅洛龐蒂對如何將哲學和經驗科學合宜配合而深化哲學論述，樹立良好的典範。消除心物二元論，並由貼近人之身體活動說明意義，為其哲學核心觀點。身體活動中之表意動作的意義，在梅洛龐蒂的論述裡，成為說明意義 (包括言詞意義) 的基石。本文說明表意動作之意義如何體現並內含於該姿勢動作中，而且其體現與內含之方式，也見於藝術作品。由簡德林對伴隨語意形式與結構的身體感的描述與說明，可連結以下二主題論述：對表意動作和藝術作品中內含的意義的論述，以及對語言與思想中體現的意義的論述。

Abstract
Merleau-Ponty gave us an exemplary model of an empirically responsible philosophy of mind and language. At the heart of his view is his rejection of mind-body dualism and a view of meaning as tied to human embodiment. Merleau-Ponty gave an account of gestural meaning that can serve as the basis for a theory of meaning in general, including linguistic meaning. I show how gesture is embodied, immanent meaning and how it works in the same ways as meaning in art. Eugene Gendlin’s account of the felt sense that accompanies semantic forms and structures can provide a link between an account of immanent gestural and artistic meaning and an account of embodied meaning in language and thought.

關鍵字/Key Word
身體、實作、情境感、意義、連續性原則
body, enactment, felt quality, meaning, principle of continuity

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DOI
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學門分類/Subject
哲學 Philosophy